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Download our royalty-free violin music instead.ĭid you know you can find songs based on topics? Some examples of topics searched by other users include successful people, womens rights, getting over someone reddit, muruga download, and hating the world. Note that you need permission to use Whiskey Glasses for commerical purposes. You can also find concert tickets and details. Other popular songs by Morgan Wallen includes Happy Hour, The Way I Talk, Stand Alone, Had Me By Halftime, Not Good At Not, and others.įor more information on this song or artist, check out SoundCloud or Last.fm. Whiskey Glasses is unlikely to be acoustic. Around 3% of this song contains words that are or almost sound spoken. In our opinion, Whiskey Glasses is is great song to casually dance to along with its joyful mood. It is composed in the key of F♯ Major in the tempo of 150 BPM and mastered to the volume of -4 dB.
The duration of Whiskey Glasses is 3 minutes 54 seconds long. Whiskey Glasses is a song recorded by Morgan Wallen for the album If I Know Me that was released in 2018. Stephen Cummings’s new album 100 Years from Now is out on 5 May.Your browser does not support the audio element. “Stephen is always pushing himself, wanting to try something different, and that’s why people sometimes see him as difficult,” Goodge says. “Stephen can be frustrating to deal with,” he said at the time, “but he has always been brilliant.” Luckily, I live across the road from a racecourse, so there’s songs about walking in the weather on the album, because basically that’s all I did – go for walks and try to get better and make music again.”īefore his death in 2021, Mushroom Records’ boss, Michael Gudinski – who was also Cummings’s former manager – called for Cummings and the Sports to be inducted into the Aria hall of fame. “It was very limited, where you could go for walks. Melbourne’s heavy pandemic restrictions gave him plenty of time to practise.
“Even now, after all this time, I have to really concentrate just to walk properly,” he says. He has also had to learn to be patient with himself. “I’m someone who could sing naturally, and so not being able to do that, to physically sing as loudly and powerfully as I used to do, that was a shock,” he says. He also had to trust himself and work within his limitations. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morningįor a control freak like Cummings, it was difficult to hand the production reins to Goodge. I didn’t have to worry about him delivering emotion – he always does.” “My focus was on the rhythm of the performance. “We weren’t looking for perfection, but seeing what was possible,” Goodge says. If Cummings was struggling to articulate his lyrics, Goodge would encourage him to rewrite them. Vocals were recorded line by line sometimes word by word. “I don’t think I’ve ever had anyone be so strict,” Cummings says. But Goodge became a ferocious taskmaster. If it sounds no good, we’ll just throw it out,’” Cummings recalls Goodge saying to him. “He said: ‘Let’s just write a couple of songs, we’ll get together and record them, and we’ll see how your voice goes. It was Cummings’s friend and collaborator Robert Goodge – former guitarist for I’m Talking, and part of the Filthy Lucre production team that turned Yothu Yindi’s Treaty into a worldwide hit – that encouraged Cummings back into the studio, with Goodge thinking it would be good therapy. He had one foot in the charts, but maintained his independence, and kept the other foot in the underground and post-punk community that has now rallied to his aid: among the large cast of musicians on 100 Years from Now are the Necks’ pianist, Chris Abraham, the Triffids’ Graham Lee, and drummer and percussionist Clare Moore. His songs had a literary touch and mordant wit: Everybody Wants to Get to Heaven, But Nobody Wants to Die was one classic Cummings title. The Sports had hits with Boys! (What Did the Detectives Say?) and Who Listens to the Radio?, before Cummings embarked on a solo career that touched on electro-pop, blue-eyed soul and jazz.
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